A Blog With Few Words: Myanmar Update 3

From Michael: Hey Kids!  Tired of blogs filled with words?  No?  Well, since our goal here in Yangon has been  writing a play and a training manual, I sure as hell am tired of words, so this blog entry will use pictures as the jump off.  

First up:

These are our good friends in Thukhuma Khayethe, Nyan (left) and Thila (right) getting ready for a show they donated to a local old folks home.  Notice that Thila is wearing a traditional longyi, or rather a traditional clown longyi.  You would know this because the pattern of the cloth, while perhaps appropriate for the Scottish Bagpipe Infantry, is really only appropriate for a Burmese table cloth - or a clown. 

This is pretty much all you need to know about the Water Festival, whose proper Burmese name is Thingyan.  Basically, sponsors (especially booze companies) build these reviewer stands / dance floors all around town for young people, especially young men, to fire water hoses and cannons at Toyota pick-ups filled with more youth, especially young men, who consider it a fun blessing to be doused in water.  The pickups will stop for a minute or two to be sure their passengers are thoroughly soaked.   They will line up at the bigger, more famous stands and wait their turn for the soaking. 

During this time taxis will cover their seats with plastic as passengers are likely to be dripping, and street-side revelers are apt to toss buckets of water into the taxi to soak their foreign passengers (we speak from experience).   This is why we do not actually have too many pictures of the festivities; we feared for the life of our Canon G-12.

Once we got the whole idea behind the Water Festival (soak everyone, especially the foreigners) we decided to stroll around the more peaceful side streets, where only the occasional reveler might gently pour a bowl of water down your back.  Our neighborhood around the hotel has lovely flowers in full bloom.  Atop a background of greens are yellows, reds, pinks, and white (pinks pictured here).  

We did taxi over to the state-manicured Peoples Park;  no water cannons allowed in the park, but we did enjoy running through the sprinklers.   In the area marked LOVE we hung out with a couple of park rangers, whose job apparently is to make sure that the young love-birds sitting in the cul-de-sacs keep their hands visible at all times.  Not sharing a common language, I showed them our mini-portfolio of pictures from our tours, and the images of us working with the Afghans elicited a lot of conversation between them.  The man then pulled a cross from around his neck, indicating that he was a Christian and, I think, inquiring if perhaps we were Christian missionaries working to convert the Afghan Muslims.   I'm not sure what brand of Christianity he thought uses stilts and outrageous costumes, but, no, that wasn't our job.

This is the table at the Gitameit Music Center around which Bond Street Theatre and Thukhuma Khayethe make our master plans for bringing a new version of "Volpone" into the world.  Playing the part of Michael McGuigan is Eugenio Barba of Denmark's Odin Teatret.  To his right, playing herself, is the wonderful Odin actress Julia Varley.  They were both traveling around Myanmar and their pass through Yangon coincided with our stay here.  We had a lovely afternoon together before they headed to Bali.

And here we all are outside the Gitameit gate.  Obviously Eugenio won the part of playing me because of the hair color.  

Next blog:  all the work we're doing (probably more words). 

Yangon News #1

Michael's update from Yangon on the current situation on the ground, the effects of history, progress, and the Water Festival.

Greetings from Yangon...
...where the weather is hot and the atmosphere is peaceful.  It's the calm before the storm, the storm being the New Year Celebration and the infamous Water Festival which starts today, Saturday April 13.   I'm getting the impression it's like being in New Orleans for Mardi Gras and Times Square for New Years.  We have an expectation of getting continually soaked by water cannons and blasters, and assured that my sins or bad karma or both are being washed away.  Another reason not to drink the water.

Joanna and I are here to flesh out the plans for a US - Burmese production of Ben Jonson's Elizabethan-era comedy, Volpone, which we plan to produce with our friends in Thukhuma Khayethe (Art Travelers Theatre Co.) with whom we've been training and performing since 2009.

Our first visit four years ago was under the watchful eyes of the military dictatorship, which kept the beloved lady Aung San Suu Kyi under house arrest.  Our last visit a year ago had seen Suu Kyi released and elected to Parliament, and a new "open" era coming in (hopefully).   Now a year later, we are getting the skinny from our friends on how things have been going.

If you have been following the news, you may be aware that there have been recent clashes and bloodshed between the Buddhists and the Muslims. To understand where this comes from, we have to take a step back and remember our cultural history.

First, the name Myanmar vs Burma.  In the Burmese language, and we are talking history here, the name of the country when written in official King's court documents is Myanmar.  When the commoners speak it, they say Burma. This notion of having special words for the King and other words for commoners is not rare in world languages.  The British, having had colonies all over the place including here, referred to this territory as Burma, partly to stick-it to the former royal rulers.  But there are a lot of ethnicities and religions:  the majority are Buddhist and ethnic Burmese, but there are also Muslims, Christians and Hindus who are Shan, Karin, Mon etc etc.  When the military took over somewhat after the Brits left, they changed the name to the more "inclusive" Myanmar (inclusive sounding, though the military was primarily Burmese, paranoid and brutal to anyone remotely dissenting).

There is a good primer and political update on this Burma - Myanmar - US relations issue at the Washington Post.

With that background and even a vague understanding of world politics, its pretty easy to guess what happens when a formerly oppressed people gets a taste of freedom and democracy. They use their new-found voices to yell at each other. Every under-educated charismatic bullet-head now figures their opinion is better than the next guy, and they get on the radio and say "ya know, these [insert ethnic group here] people are dirty and smelly and taking over our way of life. They should leave."  So yeah, there are ethnic tensions, these days particularly between the Buddhists and the Muslims. Myanmar shares a border with Muslim-majority Bangladesh, and the politics are akin to the immigrant situation between the US and Mexico.   Arizona, anyone?

More to the point, our friend Thila Min (director of TK) reports that people are happy to take their rights, but not the responsibility.  Freedom of speech can be used for good or for evil, but nobody wants to be responsible for the evil their speech might unleash.  Sound familiar? 

Thila's English is very good,  but I wouldn't have thought he knew a word like "crony", which he uses a lot to describe another problem: rampant crony-ism.  There is a great deal of deal-making, land grabbing and back scratching between politicians, connected merchants, and foreign interests, all to the detriment of the poor and middle class that the new openness was supposed to help. 

But, by and large, there are "onward and upward" kinds of changes going on. We've been staying in the same neighborhood through these years, and just in the last year we have seen many new and modern homes spring up, gigantic hotels, new car dealerships, all in formerly vacant lots. I don't know if they are getting any business, but the construction companies must be making a killing. The members of  Thukhuma Khayethe also hear the siren call of business opportunities outside of theatre work.  One of the finest clown-actors I know, Soe Myat Thu, is getting a lot of work instead as an English-French-Burmese translator for all the foreign business people descending on Yangon.

But the theatre work does go on. We have had some great meetings with Thukhuma Khayethe about our co-production of Volpone, and we're learning more about the culture and seeing how it might manifest in the play, which is exciting. 

Next: swimming in the Water Festival.

What a Difference an Election Makes: Myanmar Update 1

Michael and Joanna left for Myanmar last Sunday to continue BST's collaboration with Thukhuma Khayethe (Arts Travelers).  Here is Michael's first update from January18.

Greetings from Yangon, Myanmar.

What a difference an election makes.  Today we met with our local collaborator, Thila Min of Art Travelers Theatre, and he was fairly giddy about how much has changed in the last few months.  The election was 4 or 5 months ago -- that is, the military regime handed over the government to "the people", though it was indeed one of the military favored parties that won most of the parliamentary seats. Since then, they have freed many political prisoners, Obama sent Hilary for chats with the government and the USA opened diplomatic relationships (we had an embassy here, but not an ambassador).   As Thila Min reports, people can now shout "freedom" in the streets, and say Aung San Suu Kyi's name without fear of imprisonment (until recently they had to refer to her as "the lady"; she being the opposition party leader lately free of her house arrest).  Heck, I just realized I can GOOGLE Aung San Suu Kyi's name and get results -- couldn't do that before!

They can now visit the websites You Tube and the BBC and Voice of America, previously all off limits. They notice there are WAY more tourists in town than ever before.  In fact that was a problem for us on our first night-- our two usual hotels were all booked, and all have raised their prices $5 per night.  We will be checking in to our favorite, Kung Lay Inn, tomorrow night.  We stopped by there and they still had our brochure on the desk from our stay in 2009! 

Our task here is to do some serious work on a play we've suggested to our collaborators in Arts Travelers: Ben Johnson's Volpone, a Shakespeare-era comedy about greed and con games (kinda resonated with us re: our collapsing US and world economy).  We're using the basic plot-line, but we'll update the language and situations.

We've been working with Arts Travelers in two projects, the last one being our tour around Yangon and the Mon and Katrin States with the Hand-Washing Show for kids.  Our hope is our version of Volpone will interest the sponsors of international collaborations to underwrite a tour of the show in Myanmar and the USA next year.  Their company has grown from the four members we worked with in 2010 to the 10 members they have now.  We'll meet the new actors for the first time tomorrow morning.

That’s the news at present.  We're pretty excited about being here and working with this energetic group.  

More to come,

Michael