Showing posts with label water. Show all posts
Showing posts with label water. Show all posts

Tuesday, April 23, 2013

A Blog With Few Words: Myanmar Update 3


From Michael: Hey Kids!  Tired of blogs filled with words?  No?  Well, since our goal here in Yangon has been  writing a play and a training manual, I sure as hell am tired of words, so this blog entry will use pictures as the jump off.  

First up:
These are our good friends in Thukhuma Khayethe, Nyan (left) and Thila (right) getting ready for a show they donated to a local old folks home.  Notice that Thila is wearing a traditional longyi, or rather a traditional clown longyi.  You would know this because the pattern of the cloth, while perhaps appropriate for the Scottish Bagpipe Infantry, is really only appropriate for a Burmese table cloth - or a clown. 


This is pretty much all you need to know about the Water Festival, whose proper Burmese name is Thingyan.  Basically, sponsors (especially booze companies) build these reviewer stands / dance floors all around town for young people, especially young men, to fire water hoses and cannons at Toyota pick-ups filled with more youth, especially young men, who consider it a fun blessing to be doused in water.  The pickups will stop for a minute or two to be sure their passengers are thoroughly soaked.   They will line up at the bigger, more famous stands and wait their turn for the soaking. 

During this time taxis will cover their seats with plastic as passengers are likely to be dripping, and street-side revelers are apt to toss buckets of water into the taxi to soak their foreign passengers (we speak from experience).   This is why we do not actually have too many pictures of the festivities; we feared for the life of our Canon G-12.


Once we got the whole idea behind the Water Festival (soak everyone, especially the foreigners) we decided to stroll around the more peaceful side streets, where only the occasional reveler might gently pour a bowl of water down your back.  Our neighborhood around the hotel has lovely flowers in full bloom.  Atop a background of greens are yellows, reds, pinks, and white (pinks pictured here).  

We did taxi over to the state-manicured Peoples Park;  no water cannons allowed in the park, but we did enjoy running through the sprinklers.   In the area marked LOVE we hung out with a couple of park rangers, whose job apparently is to make sure that the young love-birds sitting in the cul-de-sacs keep their hands visible at all times.  Not sharing a common language, I showed them our mini-portfolio of pictures from our tours, and the images of us working with the Afghans elicited a lot of conversation between them.  The man then pulled a cross from around his neck, indicating that he was a Christian and, I think, inquiring if perhaps we were Christian missionaries working to convert the Afghan Muslims.   I'm not sure what brand of Christianity he thought uses stilts and outrageous costumes, but, no, that wasn't our job.


This is the table at the Gitameit Music Center around which Bond Street Theatre and Thukhuma Khayethe make our master plans for bringing a new version of "Volpone" into the world.  Playing the part of Michael McGuigan is Eugenio Barba of Denmark's Odin Teatret.  To his right, playing herself, is the wonderful Odin actress Julia Varley.  They were both traveling around Myanmar and their pass through Yangon coincided with our stay here.  We had a lovely afternoon together before they headed to Bali.


And here we all are outside the Gitameit gate.  Obviously Eugenio won the part of playing me because of the hair color.  

Next blog:  all the work we're doing (probably more words). 

Tuesday, September 11, 2012

Kandahar Theatre Update 1: Making it Work in Jalalabad

Michael writes about the process of traveling to Jalalabad to work with Kandahar Theatre, setting up the houses, and the challenges of electricity and running water.

All is well, we are here in Jalalabad. Joanna, I and Monireh (our Kabul-based collaborator) are staying at a local hotel, while the Kandahar Theatre Company is staying in a house directly across the street. The most dangerous part of our project is crossing that street each morning and afternoon.


The journey here from Kabul was interesting. The car that was sent to pick up the three of us was not nearly big enough for us and all our luggage, but it only took about a half hour for Ahmad Zia dismiss the first driver and car (at a cost of $40) and hire another, bigger passenger van. We drove for about forty minutes out of the city and through several small towns; when we slowed for a speed bump in the middle of one market area a bunch of surly guys started to pound on the car with sticks. These brutish, grunting Neanderthals turned out to be the toll collectors.


Interesting system. The toll was 4000 afs - $80 - and you'd think at those prices they could at least afford uniforms, if not actual toll booths. Reluctantly, the driver paid the toll. Then, about a mile down the road, the van broke down from a shattered fan belt. So, a third vehicle was called, slightly smaller than the second but still managed all of us and our stuff. It's a shame the van didn't break before the toll.


We got through the mountains and two hours later were dropped safely at the hotel. I paid $100 for the third vehicle. So if you were keeping track, that was $40 for a car we didn't use, $100 for the car we did, and in there was a $80 toll which no one asked me to pay. There is much that is inscrutable about the economics of Afghanistan.


Our local Jalalabad contact worked out an arrangement to rent a house for the Kandahar company, thinking it would be better than a hotel -- cheaper (potentially) and they can cook their own meals. That of course assumes that the house has water and electricity - which, when we arrived, we found it did not, though it did have excessive dust covering everything. No worries; we are assured it will all get better soon. The group arranged to stay the night in a local hotel (not our hotel). Although it did have water and electric, the hotel was so stifling hot that the house was deemed preferable despite its limitations, and they moved in the next day - the six women on the top floor, and the five guys below.


The plumbing and electricity were mostly fixed in a day. The limited electricity comes from a rattling old generator in the yard, as there is only 1 hour of electricity supplied by the city. While this keeps the water pump churning, the electrons don't seem to flow to any of the ceiling fans. Still, the Kandaharians seem satisfied with all that. 


Our hotel does have pretty good AC in the rooms; a luxury in this country, but without it we would go mad. Especially because we didn't have any water for three days due to a big problem with their pump. Well, we didn't have water in the pipes, they did supply us with big buckets of the
vital liquid. Cold water.


We are rehearsing in one of the rooms of the house, so our view of Jalalabad this time is extremely limited to crossing the street.

Next update - the training process.  Watch this space.

Much love,
Michael and Joanna