Tuesday, January 31, 2017

Volpone: From Rehearsal to Performance

In our final weeks in Myanmar, Bond Street Theatre and Thukhuma Khayeethe premiered our quite unique version of Volpone, an adaptation of Ben Jonson's 1605 play. The play is a fusion of styles, combining Italian commedia dell'arte with a Burmese dance to the spirits, and addresses the particularly relevant theme of personal responsibility in a country just moving from strict military rule to a certain amount of personal freedom. With freedom comes responsibility

Check out photos from the process below:


The Bond Street and Thukhuma Khayeethe teams discuss the script
(L-R: Nyan Lin Aung, Ngwe Ngwe Tin, Zin Mar Thwin, Kyae Zan and Soe Moe Thu. 
Not shown: Soe Myat Thu, Thila Min, Michael McGuigan and Joanna Sherman)



Rehearsal sure is tiring!

A dusty dress rehearsal at Gitameit

Our smallest audience members listen to the live pre-performance music at our second performance -- in a squatter settlement just outside Yangon. Wah Wah (in the blue dress at right) played the Burmese harp, which can be seen on the chair next to her, and the violin. 
 The audiences stayed enthralled and attentive for the entire hour and a half show!  And eagerly contributed to the ending in which the audience gets to decide who is guilty and who is not and why. Most important, they understand that they have a voice in their future -- they can speak out against injustice and have a responsibility to do so

Audience participation at the final show in the lovely township of East Dagon in Yangon.

Bond Street Theatre and Thukhuma Khayeethe give a huge thanks to all those that made this production possible, especially the Theatre Communications Group's In the Lab Grant program that supported the entire mulit-year process, the Gitameit Music School, and all of our supporters!

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